Saturday, February 27, 2010

A Gondola Ride - Magnificient, Magical Venice

Photo: Carlo Naya (1875)
(Venice, Italy) That image you see is by the photographer Carlo Naya, taken in 1875. It's the best one I could find to evoke the magic that happened to me late this afternoon.

I had gone across the canal to do some business. On the way back, I joked with the gondoliers. 

They said, "We want to give you a ride."

I said I had no money.

They said, "We want to
give you a ride."

I said, "Oh, okay, very nice, in the future."

They said, "We want to
give you a ride RIGHT NOW. Right now is the time. Right now there are no customers. Now is the time."

Of course I got in the gondola.

We made our way up the Grand Canal and under the Rialto Bridge. The people at the top waved to me and took photos. I waved back.

It slowly dawned on me the significance of what we were doing. A single woman riding alone in a gondola is almost unheard of in Venice, and it will attract photos. But more importantly, that the gondoliers would give me a ride... it was a signal of solidarity. It was a great honor.

The gondola took me to places I had never been before, down thin, quiet canals nearly impossible for the sleek, black boat to navigate -- but these gondoliers have the Venetian water running through their veins, like blood, and the vessel slipped easily through the arteries.

We burst back onto the Grand Canal, and the sky was Venetian Red, a Magic Color sent down from Heaven. The silvery Moon was almost full. It reflected the setting Sun.

Dark storm clouds held their tears, as if painted only for effect by an omniscient artist. They held their tears, but I could not hold mine.  I had tears in my eyes... I had tears in my eyes... the very strong message this beautiful, strong culture was sending... that Venice... and Italy... is sending to you.

When the voyage was over, the gondoliers apologized for speaking to me in the familiar "tu" and not "Lei," but they said, "You seem too young for us to call you 'Lei" -- which, of course, appealed to my vanity:)  I thanked them, and thanked them... then I told a few people what had just happened... and they were stunned.

I don't know how to describe, exactly, the enormity of the gesture because the gondoliers never do such a thing (well, sometimes they do if they think they will get lucky, but this was absolutely nothing like that -- this was done with the utmost respect).

One person said, after a long silence: "That means the entire energy of Venice has changed." I said, "Yes. We must respect this new power."

Ciao from Venice,
Cat
Venetian Cat - The Venice Blog

AFTER I wrote this, I found that photo that you see on the left on the website of Gondolieri Travel, an agency that, apparently, the gondoliers have created themselves. No one whatsoever asked me to do anything for that gondola ride -- it was given from the heart. For me, telling you about their site is like buying them a rose. Click here to visit their site:

"Gondolieri Travel is a branch office of the historical Cooperativa Gondolieri of Venice, the cooperative Daniele Manin was born with a different name in 1868 on 12th July, setting up the Mutuo Soccorso society in support of the gondoliers of Venice.

The Daniele Manin company name officially were registered on 1948, initially to give assistance and support to the gondoliers, then developing into a bigger company, enlarging the gondola transport service to other different activities: gondolas and piers maintenance, the construction and restoration of gondolas in their own Squeri (shipyards for the hand craftmanship of boats), such as the Squero Ognissanti of San Trovaso and the Giudecca shipyard, and on these days new administration and payment offices.

The gondoliers category were helped in the past by this company also from the cultural way, as the company arranged historic lectures and foreign languages courses, in order to help gondoliers work better, especially because during summer season gondoliers work with foreign tourists.

From the year 2006 the Cooperativa created their Travel Agency, in order to have the own booking office, and as they receive many different requests, enlarge their services offering any kind of private or collective excursions, selected hotels reservations, private transfers with water taxi and cars, and tailor-made solutions for any requests and needs."














Sunday, February 14, 2010

Venice Carnival - Blast to the Past

(Venice, Italy) As I enjoy Carnevale 2010, here is a blog rerun from the cache of my Authors' Guild account -- the original, unfortunately, no longer exists -- of the Carnival three years ago, back in 2007.

22 febbraio 2007
CARNIVAL IN VENICE AND MORE


Director, Bruno Tosi, right, and Lucio Bisutto, singing owner of Trattoria Giorgione on Via Garibaldi with "The Marys" Festa delle Marie, Feb. 9

Venetian artist Maestro Ludovico de Luigi

Cat Bauer - Venice Carnival 2007
Cat Bauer
Costume by Dominique Brunet

Cat Bauer during Venice Carnival 2007
Cat Bauer
Sunglasses by Ottica Vascellari

Jewelry by Ganesha
Russian performers at the Casinò - February 11, 2007

How did they get the horse to La Fenice? La Cavalchina Ball - February 17

The crowd jumps on stage and La Fenice rocks - Feb. 17

Cat Bauer at La Fenice
Cat Bauer at La Fenice
Costume by Dominique Brunet 

Irene Bello, THE Mary - winner Festa della Marie




I'll try to get a more recent photo!

7 febbraio 2007
THE JURY IS IN


I have to say that being on the jury for the Festa delle Marie was SO MUCH FUN. Not only was I the first straniera, there were only a couple of women. I think I finally figured out why I get along so well in Venice: I have a Venetian sense of humor! Ha! VENETIANS GET THE JOKE. Marino Folin, who is a Very Distinguished Professor by day, had us laughing so hard -- he was really on target. I was sitting between Sig. Folin and the artist, Ludovico de Luigi -- if you can imagine. Sometimes things get a little heavy over here on the island, but, ultimately, everyone remembers it is the Divine Comedy, not the Divine Tragedy.

Anyway, it was fascinating to watch the difference in the girls, who were aged 16 to 27. The contest was amazingly fair, funny and respectful -- somehow we all came to an agreement and picked the top twelve without much effort. For the first time in Il Gazzettino, the girls' astrological signs were listed, as well as their other vital statistics. You can thank Yours Truly for that.

Bruno Tosi, who is directing Carnevale, kept the whole thing on track, and Roberto Ballarin, the director of Il Gazzettino, held up his end on the other side of the very long table.

Afterwards, Tommy Vee, who is a Very Cute International DJ, as well as being Venetian, was mobbed for autographs.

I am going to blog for Carnevale. I will let you know if it will be here, on Myspace, or both.


31 gennaio 2007

FESTA DELLE MARIE


Today I am going to be lazy and just put up my press release:

PRESS RELEASE


Cat Bauer - Venice Carnival 2007
Cat Bauer
AMERICAN AUTHOR FIRST “STRANIERA” ON JURY OF ANCIENT VENETIAN BEAUTY CONTEST

CAT BAUER, YOUNG ADULT NOVELIST - ON THE PANEL OF JUDGES FOR

LA FESTE DELLE MARIE



Venice, January 31, 2007. Award-winning author, Cat Bauer, will be the first foreigner on the jury that selects the most beautiful, or virtuous, girls in Venice.

La Festa delle Marie originated from a pirate raid in 943 a.d., according to Venetian legend. In ancient times, Venetians married on only one day each year. A water procession from the Arsenale on the canal “delle Vergini” started the festivities. All the brides-to-be were rowed across the lagoon in decorated boats brimming with dowries, while their future husbands waited at the Church of San Nicolò at the Lido.

That year, pirates raided the procession, kidnapping the brides and the booty. An enraged Venetian rescue party executed the pirates and brought the brides back to the ceremony.

To commemorate the victory in the past, every year twelve patriarchal families would present twelve virtuous young women from poor Venetian families with a dowry, and the designation “le Marie,” or “The Marys.”

Today, the popular Carnival director, Bruno Tosi, together with Il Gazzettino, the local Venetian newspaper, sponsors a contest where Venetian girls aged 16 to 27 can enter to be a “Marie.” On Friday, February 2nd, the jury will convene at the Venice Casino to select twelve candidates.
“It is an honor and a privilege to be the first foreigner on the jury,” said Cat Bauer, creator of the teenage protagonist, Harley Columba. “It’s a tribute to all ex-patriots who live here and who love and respect this city.

Miss Bauer added, "My protagonist is a young artist who comes from the New Jersey suburbs. She must pass many tests of character in order to achieve success in New York City. To me, being virtuous means exploring all the colors life has to offer while maintaining a childlike innocence.
 
In his book entitled, ‘With Peggy Guggenheim,’ Paolo Barozzi, who is descended from one of Venice’s oldest noble families, says: ‘I am convinced that real nobility comes from the heart.’ La Festa delle Marie reflects that message.

“In addition, the festival on February 9th nearly coincides with the publication date of my books in America on February 13th, which makes it especially meaningful.” Knopf, a division of Random House, will republish Miss Bauer’s first novel, “Harley, Like a Person,” as well as a new companion novel called, “Harley’s Ninth.”

La Festa delle Marie takes place on opening day of the Venice Carnival, February 9th, at 3:00 p.m., starting at the church of San Pietro di Castello. The procession then makes it way to Piazzo San Marco by way of Via Garibaldi and the Riva degli Schiavoni. All the contestants will be treated like nobility during Carnival, participating in historic processions and exclusive palazzi parties. Then, on Fat Tuesday, one girl will be crowned with the title “Maria dell'Anno” or "Mary of the Year" in Piazza San Marco, winning a one-week vacation for two.

To learn more about the author and her work, please visit Cat Bauer at: www.myspace.com/catbauer and www.catbauer.com

Cat Bauer - Venice Carnival 2007

Ciao from Venice in the Year 2010,
Cat

Mask by Sergio Boldrin

Saturday, February 6, 2010

Venice Carnival 2010 - Carnevale Venezia 2010

(Venice, Italy) For those of you who are in Venice this Carnival season, which starts today, now is a great time to support some of Venetian Cat's sponsors:-)

INCENTIVE HARMONY

Incentive Harmony - Carnevale balls  and other gatherings in an authentic Venetian palace. That is one of the owners, the gracious and elegant Jeanne-BĂ©nĂ©dicte Arnitas, you see over there on the left.

Click to go to Incentive Harmony website:
http://www.incentiveharmony.com

Click to read the Venetian Cat - Incentive Harmony blog:
http://venetiancat-incentiveharmony.blogspot.com/

Click HERE to go to Incentive Harmony Carnival 2015

Click HERE to go to Venice Carnival 2011. 



LA BOTTEGA DEI MASCARERI

Stop at La Bottega dei Mascareri at the foot of the Rialto Bridge for all your Venetian mask needs. (That is a photo of Sergio Boldrin before his hair turned gray! I am quite sure I contributed a hair or two:)

Click to read the Venetian Cat- La Bottega dei Mascareri blog:

http://venetiancat.blogspot.com/2008/03/venetian-masks.html


VIEWS ON VENICE

You will need a place to stay while you are here in Venice, so why not rent an apartment instead of staying in a hotel? That calls for Views on Venice! The grandmother of the personable (and gorgeous:) owner, Filippo Gaggia, used to entertain right in that image you see of the piano nobile.

Click here to go to the Views on Venice website:
http://www.viewsonvenice.com/

Click here to read the Venetian Cat - Views on Venice blog:
http://viewsonvenice.blogspot.com/


BISTROT DE VENISE 

Next, you will need some place to eat, and that is where the authentic Venetian food and extensive wine list offered at the Bistrot de Venise will serve you well. Sergio Fragiacomo is a real gentleman, and one of the most compassionate people I have ever met.

Click here to go to The Bistrot's website:
http://www.bistrotdevenise.com

Click here to read the Venetian Cat - Bistrot blog:
http://venetiancat-bistrot.blogspot.com/

If you look over there on the column on the right, you will see the rest of my sponsors, if you are in the market for eyeglasses (Vascellari) or jewelry (Arcobaleno)or (Ganesha), or even a short film about one woman's Carnival fantasies (StudioAC)

The great thing about supporting any of my sponsors is that if you have any problems whatsoever, you can speak to me about it. If you are a regular reader of this blog, you know that is enough to strike terror in the heart of any evil company:) So you can be sure that all my sponsors are absolutely genuine and that you are getting good quality for the money you spend. Plus, they happen to be very nice human beings that are a joy to meet!

Ciao from Venice,
Cat
Cat Bauer

Venetian Cat - The Venice Blog

Sunday, January 31, 2010

Giorno della memoria 2010 - Remembrance Day in Venice

(Venice, Italy) Massimo Cacciari was the mayor when I first arrived in Venice back in 1998. In fact, I met him shortly after my arrival, although I didn't know who he was. 

I had been invited to the Palazzo Ducale for a ceremony for Il Gonfalone di San Marco, that blue book you see below, and he was one of the speakers. At that time, I didn't understand a word of Italian, but I could tell by his energy that Cacciari was a great speaker.

Afterwards, I went up to Cacciari and asked if he knew Franco Filippi, the publisher of the book, to whom I was supposed to introduce myself. He sort of smiled and said that Filippi had been there, but appeared to have left. I didn't realize I had just spoken to the Mayor of Venice!

Cacciari became the mayor again five years ago. In two months he will finish his second term, so it is sort of like Daddy is leaving. I don't always agree with his policies, but I do respect his heart, especially after having been immersed in the goings-on around this town. (Cacciari is a philosopher; you can see him around the city; he rides the vaporetto just like everyone else.) 

Venice is so small, and there is so much power concentrated in a tiny area, it is a wonder that he can still manage to weave a kind of magic fabric over the Venetians to try to keep them safe. 

Il gonfalone di San Marco. 
Analisi storico-araldica dello stemma, gonfalone, sigillo e bandiera della cittĂ  di Venezia

This morning, Massimo Cacciari, together with Vittorio Levis, president of the Jewish Community of Venice, spoke about the Holocaust, and why it was important to remember it. Cacciari spoke very strongly, and said several things that struck me -- made me weep, to be honest. 

He said that what we must accept and understand is that the Holocaust was a rational design.
That it was a rational, thought-out, political project, years in the planning. That the complicity of France, Italy and England allowed it to happen. He said that the concept of "Ama il prossimo tuo" or "Love Thy Neighbor" had been taken and completely inverted. 

The Holocaust can seem far away, as part of another era, another century, long, long ago, especially to those who were not born. In reality, there are many people who are still alive who can remember the Holocaust because it happened only 70 years ago! Think: just a short time ago, the Nazis were exterminating an entire segment of the population right in front of everyone's eyes and nobody did anything to stop it! 


After the speeches, we watched a performance of Salonicco43. It was the second time I had seen this piece performed. I wrote about it before near the end of A Sea of Angels back on December 8, 2008. 

Click to read it:
http://venetiancat.blogspot.com/2008/12/sea-of-angels-un-mare-di-angeli.html

Thessaloniki, also called the ‘Jerusalem of the Balkans’ or the “mother of Israel, counted a population of 100,000 in 1939, 50,000 Jews, many of Italian origin and nationality, present in all the different social classes and perfectly integrated with the Greek population. Historian Albertos Nar remembers it as “the largest and most prosperous Sephardite Jewish community in Europe, and one of the most important in the world”. Of the 32 synagogues in the city, fourteen of which were built by people from Sicily, Calabria, Puglia, all that remains are faded old photographs…

During the terrible months of 1943, the Italian consul in Thessaloniki was Guelfo Zamboni, a Fascist functionary of the Ministry of Foreign Affairs who, in the face of the inhumanity of the Holocaust, began a personal, heroic battle to try and save as many lives as possible by providing forged Italian identity cards that would allow their possessors to reach Athens and save their lives.


His tenaciousness, his courage, his perseverance saved more than 500 Jews from Nazi barbarity, men, women, children who became the protagonists of our cultural project, and who transformed our Zamboni into a new Italian Schindler. In 1992 he was given the title of “righteous among the nations”.

Cold, hard statistics from Wikipedia:

Jewish Population of Thessaloniki[23]
Year Total Population Jewish Population Jewish Percentage Source
1842 70,000 36,000 51% Jakob Philipp Fallmerayer
1870 90,000 50,000 56% Greek schoolbook (G.K. Moraitopoulos, 1882)
1882/84 85,000 48,000 56% Ottoman government census
1902 126,000 62,000 49% Ottoman government census
1913 157,889 61,439 39% Greek government census
1917 271,157 52,000 19% J. Nehama, Histoire des IsraĂ©lites de Salonique, t. VI-VII, Thessalonique 1978, p. 765 (via Greek Wikipedia): the population was inflated because of refugees from the First World War
1943
50,000

2000 363,987[22] 1,000 0.27% (post-Holocaust)

I apologize for the brevity of this blog post, but unfortunately the Querini Stampali has changed its rules about Internet access, and have installed a two-hour limit.

Ciao from Venice,
Cat
Venetian Cat - The Venice Blog

Saturday, January 2, 2010

Love 2010 in Venice - The New Year

(Venice, Italy) On New Year's Eve, I found myself on the lower level of the stage in the middle of Piazza San Marco surrounded by 35,000 people who were knee-deep in acqua alta. (That image you see is from last year's festival, but I could not find a photo from 2010.) At midnight, everyone hugged each other and kissed, and it was lovely.

Now, I have been in Piazza San Marco before on New Year's Eve, and was truly frightened by the crowd. This year, however, it felt like Love 2010.

We were immersed in the lagoon, up to our knees -- it is only possible to ring in the New Year like that in Venice, caressed by the gentle waves. 

I have always believed that Venice would defend herself against her enemies, and New Year's Eve proved my theory correct. The lapping water discouraged violence and rowdiness, wrapped us in her arms and kissed us! --  Yes! Venice (Venus) herself, together with her husband, the Sea (Neptune), made a special appearance in Piazza San Marco on New Year's Eve and everyone was happy! We kissed each other under the full moon and drank Bellinis from the Canella family. We waved old-fashioned sparklers and danced. It was magical, and I hope it is a sign that all the bad guys are finally getting washed out of Venice. Venice herself is washing them away!

Other magical things have happened this holiday season that makes me think the future might brighten: on December 23rd there was a stupendous, free concert at the Church of Santa Maria Formosa -- Handel's Messiah, with such an interesting list of sponsors that I will feature them here:  
 
Nell'ambito delle celebrazioni del duecentocinquantesimo anniversario della morte di Georg Friedrich Händel (1685-1759), l'Associazione Musicale Orologio e l'Associazione culturale Tiepolo in collaborazione con la Fondazione Ugo e Olga Levi, la Fondazione Teatro La Fenice, Chorus Associazione per le Chiese del Patriarcato di Venezia e l'Associazione culturale Cultura Venezia Futura hanno organizzato la prima esecuzione in Veneto dell'Oratorio Messiah nella sua versione originale, con strumenti antichi e cantanti internazionali

I was weeping throughout much of the performance, it was so beautiful... it was spiritual... the music melted my heart, which I feared had frozen solid from all the abuse it had suffered in 2008 and 2009. The cold water from my heart poured out through my eyes, hot and hopeful. Listening to those human voices used as musical instruments... it was as if God had sent the angels down to Venice from heaven.




On Christmas Eve, I went to Midnight Mass, and, again, we had very high water, the highest it had been for a long time. But the Basilica was warm and full with people; it was amazingly dry inside, and our Patriarch was in good form. Afterward the service I was fortunate enough to pray in front of the Pala D'Oro! If you are a regular reader of this blog, you know how much I love to do that!

Click here to read more: Mary-ascends-to-heaven-and-Pala-D'oro

Happy New Year and Ciao from Venice,
Cat

Venetian Cat - The Venice Blog

Thursday, December 31, 2009

Happy New Year! Auguri di Buon Anno!


(Venice, Italy) Cat wishes you all a safe, joyous and productive 2010!

Ciao from Venice,
Cat
http://venetiancat.blogspot.com

Tuesday, December 8, 2009

The Madonna of the Sun


THE MADONNA OF THE SUN

(from 8 dicembre 2006)


Today, December 8th, is the birthday of my protagonist, Harley Columba. It is also the day that John Lennon was assassinated. When I was creating Harley, I wanted her to have a deep connection to John Lennon, so she was born in the same hospital where John Lennon died.

December 8th is also a holiday here in Italy, the Feast of the Immaculate Conception. This is the day Mary, the mother of Jesus, was conceived.




One wonders how that came about... since most Christian holidays turn out to have more ancient meanings.

It turns out that December 8th is also Bodhi Day, the day the Buddha became enlightened.




It is the Festival of Neith, the Egyptian goddess who gave birth to Ra, the Sun god; it is celebrated by the Feast of Lamps. Neith, in turn, transforms into Isis, the "woman clothed with the sun," wife and sister of Osiris and mother of Horus.



It is the day that Amaterasu, the Japanese Goddess of the Sun, was born.




On December 8, 1941, the United States declared war on Japan. The Japanese royal family is descended from the Sun Goddess.



***

On December 8, 2009, Cat Bauer woke up inside her apartment on the Grand Canal. 

Ciao from Venice,
Cat

Venetian Cat - The Venice Blog

Saturday, November 21, 2009

La Biennale, the Entity

Kazuyo Sejima
(Venice, Italy) The Art Sector of La Biennale concludes tomorrow, which gives me the opportunity to write about La Biennale, the Entity. 

That photo is of Kazuyo Sejima, the first female Director of the Architecture Sector, who will curate the 12th International Architecture Exhibition on August 29 to November 21, 2010. Born in Ibaraki, Japan in 1956, Kazuyo Sejima is a leading exponent of contemporary architecture.

A quick recap: La Biennale is divided into six different sectors: Art, Architecture, Cinema, Dance, Music and Theatre. The only thing that is missing, in my view, is Literature, and then we would have a perfect seven:) I remember the first year of the Los Angeles Times Festival of Books. No one was sure if the public would attend a book festival, but they came in masses, standing in line for hours to catch certain events. 

The Art and Architecture Sectors of La Biennale alternate every year. This year we had Art -- from which, in all honesty, we do need an entire year to recover -- so, in 2010, we will have Architecture. I never used to attend Architecture, but after last year, I thought the architects had surpassed the artists in their offerings -- in fact, I felt the architects were becoming the artists -- so I am looking forward to 2010. 

Back in March, the theme of the Dance Sector this year was Degree Zero; that is where we started: at zero with Director Ismael Ivo. It has been like lifting off a spaceship, but I think we are finally off into outer space. One of my favorite sayings is: If the foundation is rotten, the structure will collapse. If the foundation is solid, the structure can reach to the heavens. Ismael Ivo is a real human being, and the core he is creating has a jewel at its center. Degree Zeros' focus is on the creation of a national center dedicated to contemporary dance training. So, all you dancers, get ready to move to Venice!

During the film festival, on September 9th, I had the great opportunity to attend the inaugural conference at La Biennale's newly restored headquarters, Ca' Giustinian, a magnificient palazzo on the Grand Canal. The Council of Europe re-christened the ancient rooms of the palace with their conference on domestic violence against women. This is from Wikipedia:

The Council of Europe (French: Conseil de l'Europe) is the oldest international organisation working towards European integration, having been founded in 1949. It has a particular emphasis on legal standards, human rights, democratic development, the rule of law and cultural co-operation. It has 47 member states with some 800 million citizens.

The most famous conventional bodies of the Council of Europe are the European Court of Human Rights, which enforces the European Convention on Human Rights, and the European Pharmacopoeia Commission, which sets the quality standards for pharmaceutical products in Europe. The Council of Europe's work has resulted in standards, charters and conventions to facilitate cooperation between European countries and further integration.

To read the complete article, please click here: Council of Europe

After the conference, we had cocktails and hors d'œuvre on the terrace, which has an stupendous view of the Grand Canal and the lagoon, the triangle of the Dogana far below. I even had a chance to speak with Google Folks, who were there because they were sponsoring a Domestic Violence Awareness Contest in October. Unfortunately, due to my own domestic distractions, I did not announce it in time, but you can still see the results here: I Beat You I told the Google Folks that I would not exist if it were not for Google, and that I gave them my deepest appreciation. Yay, Google! Ca' Giustinian is open to the public; you can even have lunch on the ground floor terrace between the Bauer Palazzo and the Monaco.

At the final press conference of the film festival, the President, Paolo Baratta said that the Mostra del Cinema was part of a huge stimulation plan for the island of Lido itself, and that the film festival needed to prove it was a very vibrant organization in order to exist. It is difficult for me to imagine that someone could seriously ask the question: What use are international festivals? but, after everything I've experienced lately, I am well aware that this point of view exists.

Paolo Baratta said to look at the Venice Film Festival in terms of a publishing company, and that is a concept I can understand very well. Every publishing house is different -- and that is an important word: house. A publisher feels like a house; at some places you feel warm and at home, and at others you can't wait to leave. Also, in the world of publishing, things take Time. If I finish writing a book tomorrow, you will not read it until some time in the future -- not like a blog:)

Paolo Baratta said that the Venice film festival hopes to bring films up to the surface which would otherwise sink. Publishers are remembered for this. Great publishers never look at the fashion of the time, but look at the long view. A good publishing house brings up new talent. We must build our selections so they are recognizable as a selection of the Venice Film Festival.

When he said those words, I got goosebumps. That kind of thinking is why I respect Paolo Baratta so much, and the quality of films that the Director, Marco Mueller (who is very clever) uncovers always excite me.

The Music Sector, directed by Luca Francesconi, concluded on October 3rd, with an amazing night down at the Arsenale inside Teatro alle Tese. There were stages scattered all over the inside, high on ladders and down on the ground, with wild lighting and video projection. It went on for hours, and you could wander in and out, drinking excellent red wine from the Loredan Gasparini winery -- they even gave us food! The highlight, for me, was when 94-year-old David Honeyboy Edwards played the blues. I had to run backstage like a groupie and kiss him! I could not resist! From Wikipedia:

David "Honeyboy" Edwards (born June 28, 1915, Shaw, Mississippi, United States[1]) is a Grammy Award-winning Delta blues guitarist and singer from the American South. As of October 2009, Honeyboy Edwards, at age 94, and his close friend, Pinetop Perkins (age 96) are the oldest and arguably, the last Delta blues players still touring the United States remaining from the last century. 

To read the entire article, click here: HONEYBOY

Finally, on November 4, 5 and 6, the admirable Maurizio Scapparo, Director of the Theatre Sector, closed the theme of Mediterraneo - 40 with Polvere di Baghdad, a production inspired by 1001 Nights, and starring another one of the good guys, Massimo Ranieri.

La Biennale feels like a warm house filled with the most fascinating people on the planet. It is a place to create and experiment, where it is okay to do things differently than the norm, yet still have commercial appeal. There are some hits and some misses, some great successes and some fantastic failures. But there is freedom, and there is creativity, and there is fun and happiness and joy!

Ciao from Venezia,
Cat Bauer

Tuesday, October 6, 2009

Please Stand By... (Rethink Afghanistan - The Cost of War)




(Venice, Italy) Here's something to watch while you're waiting. As I said on Facebook, the war in Afghanistan was not a blip on my radar until I was illegally evicted from my apartment and dropped right down the rabbit hole.

More soon...

Ciao from Venice, Italy,
Catherine "Cat" Bauer

Venetian Cat - Venice Blog
http://venetiancat.blogspot.com